CREATIVE AUSTRALIA
Arts Projects for Organisation
Application March 2026
IMAGES
The Token (2024)
Countess.Report (Shevaun Wright, Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable
Countess.Report (Shevaun Wright, Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable
A focus on gender is a focus on power (2021)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable Reproduced in the National Gallery Of Victoria “Know My Name” publication.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable Reproduced in the National Gallery Of Victoria “Know My Name” publication.
CoUNTess: Spoiling Illustions Since 2008 (2023)
Melinda Rackham and Elvis Richardson
Book documenting the history and impact of the Countess Reports
Melinda Rackham and Elvis Richardson
Book documenting the history and impact of the Countess Reports
52 Commas (2018)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing installation plan, dimensions variable, as installed at Campbelltown Arts Centre as part of the exhibition Borrowed Scenery.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing installation plan, dimensions variable, as installed at Campbelltown Arts Centre as part of the exhibition Borrowed Scenery.
52 Commas (2018)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Bronze commas, 20x6x.3cm
installed in “Female Drivers” @ Maitland Regional Gallery 2021.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Bronze commas, 20x6x.3cm
installed in “Female Drivers” @ Maitland Regional Gallery 2021.
52 Commas (2018)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Bronze commas, 20x6x.3cm
installed in “Data Imaginary” @ Flinders University Art Museum 2022.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Bronze commas, 20x6x.3cm
installed in “Data Imaginary” @ Flinders University Art Museum 2022.
Why should men’s art be worth more than women’s? (2018)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Posters installed in the streets surrounding the Sydney Contemporary Art Fair 2019.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Posters installed in the streets surrounding the Sydney Contemporary Art Fair 2019.
Countesses are calculating (2021)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) digital drawing
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) digital drawing
Countess Fundraising Launch
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected images of the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018 (Photo: Ponch Hawkes).
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected images of the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018 (Photo: Ponch Hawkes).
Countess Talks and Community Counts
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected image of one the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected image of one the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018.