CREATIVE AUSTRALIA
Arts Projects for Organisation
Application September 1st 2026
IMAGES
The Token (2024)
Countess.Report (Shevaun Wright, Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable
Countess.Report (Shevaun Wright, Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable
2022 Countess Report -
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 20-21 (Previous report data can be seen in line graph)
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 20-21 (Previous report data can be seen in line graph)
2022 Countess Report -
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 36-37 (Previous report data can be seen in line graph)
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 36-37 (Previous report data can be seen in line graph)
2022 Countess Report -
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 54-55 (Previous report data can be seen in line graph)
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 54-55 (Previous report data can be seen in line graph)
2022 Countess Report -
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 76-77 (Previous report data can be seen in line graph)
Visual Art Graduates
2022 Countess.Report edited by Miranda Samuels and Shevaun Wright, graphs by Elvis Richardson
Pages 76-77 (Previous report data can be seen in line graph)
CoUNTess: Spoiling Illusions Since 2008 (2023)
Melinda Rackham and Elvis Richardson
Book documenting the history and impact of the Countess Reports
Melinda Rackham and Elvis Richardson
Book documenting the history and impact of the Countess Reports
A focus on gender is a focus on power (2021)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable. Reproduced in the National Gallery of Australia “Know My Name” publications.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) Digital drawing, dimensions variable. Reproduced in the National Gallery of Australia “Know My Name” publications.
Countesses are calculating (2021)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) digital drawing
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson) digital drawing
Countess Fundraising Launch (2018)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected images of the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018 (Photo: Ponch Hawkes).
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected images of the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018 (Photo: Ponch Hawkes).
Countess Talks and Community Counts (2018)
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected image of one the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018.
Countess.Report (Miranda Samuels, Amy Prcevich and Elvis Richardson)
Selected image of one the many talks and launches this one at ACCA in 2017 and below also at ACCA a Countess.Report round table count as part of Unfinished Business @ ACCA 2018.