/Selected Exhibitions

  1. The Data Imaginary (2022) curated by Angela Goddard, Flinders University Gallery (SA)
  2. Female Drivers (2022) curated by Madeline Snow, Maitland Gallery (NSW)
  3. Asset Class (2022) curated by Mark Feary, Gertrude Contemporary at Melbourne Art Fair (VIC)
  4. Energetical (2020) curated by Illana Russell and Amber Smith with Dr. Anne Wilson, Deakin University and  Platform Arts, Geelong (VIC)
  5. Borrowed Scenery (2018) commissioned, artwork + performance, Campbelltown Arts Centre (NSW)

/Published Works

The Countess Report, (2024). Edited by Shevaun Wright and Miranda Samuels

Countess: Spoiling Illusions Since 2008 by Melinda Rackham and Elvis Richardson

The Countess Report, (2019). Edited by Amy Prcevich

Clear Expectations: Guidelines For Institutions, Galleries And Curators Working With Trans, Non-Binary And Gender Diverse Artists, (2018). Archie Barry & Spence Messih. Commissioned by Countess.

The Countess Report (2016). Elvis Richardson

/Research & Residencies & Talks

2023 Residency, Joshua Tree, California (USA)
2022 Greg Binns Memorial Lecture, Art Gallery of Ballarat
2020 Cultural Partner, Know My Name, National Gallery of Australia (NGA) (ACT),
2018-19 Campbelltown Arts Centre Research Residency (NSW)
2018 Research + Advocacy - Community Counting Sessions, ACCA, Norma Redpath House